Kelsey Holland
Professor White
Idea Development
May 5, 2012
The Science of Magic: How Magicians Manipulate Our Minds
Have you ever wondered how magicians work their magic? Most humans are easily fooled by magicians and fascinated by magic tricks that appear to defy the working laws of science and logic. Magicians have been tricking and manipulating the human mind for years, and most of us do not question their tactics. But how do they do it? Magicians use a variety of techniques such as misdirection, illusions, and forcing of ideas to manipulate audiences during performances.
During his TED presentation Marco Tempest says, “Magic is deception. But it is a deception that we enjoy…It’s fun to be fooled.”1 Most of us do not know how a magician tricks us, but we still enjoy it. Recently, psychologists and neuroscientists have begun researching how magicians manipulate our minds; however, scientific research is still in early stages. Psychologist Ron Rensink says, “The degree to which a magician can control someone’s minds tends to be far greater than anything we come up with in the lab” (qtd. in Powell).
Gustav Kuhn, a psychologist at the University of Durham, breaks this “science of magic” into three categories: misdirection, illusion, and forcing (qtd. in Powerll). Misdirection involves distracting the audience’s attention away from the magician’s actual deceptive tactics; Daniel Simons and Christopher Chabris, psychologists at the University of Illinois, demonstrated an example of misdirection in 1999 when the pair exhibited the human phenomenon of “inattention blindness” (Powerll). When given a task, individuals failed to notice other aspects that did not directly impact the task at hand—in the case of Simons and Chabris people were instructed to count basketball passes and failed to observe a man in a gorilla suit who walked directly across the scene: 2
Simons and Chabris's "inattention blindness" experiment, 1999
In addition to Simons and Chabris, Gustav Kuhn has also observed misdirection. Diverting an audience’s attention is key for magicians— Kuhn has especially stressed the importance of controlling an audience member’s eye movement and focal attention. Magicians have learned that the easiest way to control an audience’s attention is to manage their own eye motions because the audience will follow the focus of the magician. The individuals in the audience hope that, by watching the eye movement of the magician, they will uncover the trick behind an illusion (Macknik et al. 872-873). Another easy way for magicians to divert attention is through laughter. Humor often distracts the audience’s attention away from the physical motions of the magician; therefore, when an audience is laughing is the ideal moment for a magician to make a deceptive move (Powerll). In addition, Devin Powerll also discusses how the human mind has tendencies that are often exploited by magicians:
“The trick also relies on another glitch in the visual system. Information captured by the retina takes about 100 milliseconds to reach the brain. To compensate for this lag, the brain predicts what the world will look like in the near future and acts on this prediction rather than the real information at its disposal. This is useful in real-world situations such as driving a car, but it also gives magicians an opening to exploit. Magicians have developed tricks and loopholes around the natural psyche, taking advantage of the tendencies and flaws of an audience member’s mind.” (Powerll)
Marco Tempest discusses the exploitation of magicians to the TED audience. He says, “The tricks of magic have one special element. They are stories with a twist. Now Edward de Bono argued that our brains are pattern-making machines. He said that magicians deliberately exploit the way their audiences think” (Tempest). The audience watches a magician perform a magic trick as they would listen to someone tell them a story; however, it is when there is a surprise effect or an element that defies natural logic that an audience is truly amazed by a magic trick (Tempest). Martinez-Conde and Macknik discuss this in more detail: when an audience watches a magic trick their attention is drawn to the effect but diverted away from the magician’s methods (75).
Most of the magic tricks that are performed by magicians are simply illusions. Magicians use visual and cognitive illusions to fool and manipulate the expectations of an audience. Examples of these illusions are “spoon bending” and object vanishment (Macknik et al. 871-872). Martinez-Courte and Macknik explain why the illusion of “spoon bending is successful: “Neurons in the visual cortex sensitive to both motion and line endings respond differently to oscillations than other visual neurons do. The result is an apparent discrepancy between the ends of a stimulus and its center; a solid object seems to flex in the middle” (77). Misdirection is a form of cognitive illusion—the magician is actually manipulating and exploiting the minds of the audience members. When a magician performs a trick he or she knows that the audience is unlikely to notice motions or objects that he or she ignores. (Macknik et al. 872-873). The key to a successful magic trick is managing a movement that the audience does not see, notice, or suspect: this is most successfully done when the magician has power over their audience members.
The third aspect of magicians’ manipulation is forcing. Forcing involves giving an audience the illusion of choice when, in reality, the magician has a plan in place, eliminating any real freedom of choice (Powerll). For example, magicians frequently play off of the human tendency to believe that one event will cause another event. Martinez-Conde and Macknik discuss this using the following scenario: “The skilled magician takes advantage of that predisposition by making sure that event A (say, pouring water on a ball) always precedes event B (the ball disappearing). In fact, A does not cause B, but its prior appearance helps the magician to make it seem so” (79). In this situation, the magician is using the audience members’ own assumptions to force them into believing beliefs that are false—the audience will assume that event A causes event B. Therefore, members of the audience will not discover how the magician is actually making event B happen.
Scientific research in psychology and neurobiology has made many strives to more fully understand the success of magicians. Future research may involve further investigations into the human brain’s tendencies and susceptibilities to techniques of misdirection. This knowledge would increase scientists’ understanding of the relationship between magic and science (Gustav and Martinez 5-6). Audiences of magic shows love tricks that amaze and thrill them and that defy natural logic. Magicians will continue to search for and practice new techniques of misdirection, illusions, and forcing to baffle and amaze their audiences. Meanwhile, scientists will likely develop empirical experiments to test magicians’ techniques as well as the mental tendencies of the human mind (Gustav and Martinez 6). Magicians work their magic with skills of precision and skill, and it may be a long time before audience members are able to fully understand how magicians manage to fool them so easily.
Works Cited
Kuhn, Gustav and Luis M. Marinez. “Misdirection—Past, Present, and the Future.” Frontiers in Human Neuroscience. 6. Jan 2012. Web.
Macknik, Stephen L. et al. “Attention and Awareness in Stage Magic: Turning Tricks Into Research.” Nature Reviews Neuroscience 9.11 (2008): 871-879. Academic Search Premier. Web. 2 May 2012.
Marinez-Conde, Susana and Stephen L. Macknik. “Magic and the Brain.” Scientific American Dec 2008: 72-79. Print.
Powerll, Devin. “Magicology: How Magicians Control Your Mind.” New Scientist. 24. Dec. 2008. Mind Power News. Web. 11. April 2012.
Tempest, Marco. “A Magical Tale (with augmented reality).” TED.com. TED Conferences. Mar. 2012. Web. 16 April 2012.
Media References
1 Tempest, Marco. “A Magical Tale (with augmented reality).” TED.com. TED Conferences. Mar. 2012. Web. 16 April 2012.
2 Simons & Chabris. “Selective Attention Test.” YouTube. YouTube. 1999. Web. 3 May 2012.
3 Gravenor, Misha. “How to Do a Magic Trick: The Magician Teller Tells How to Pull Coins Out of Thin Air.” Scientific American. 24 Nov. 2008. Web. 5 May 2012.